2022-present
"Mustafa Celebrates his 127th Birthday", 2022
"Mustafa Celebrates his 127th Birthday", 2022
"No Habibti, I cannot  Judge you, Only God can Judge you" , 2022
"No Habibti, I cannot Judge you, Only God can Judge you" , 2022
"Queens Rewatch Buffy at Dusk", 2022
"Queens Rewatch Buffy at Dusk", 2022
"Mustafa Introduces Fatima to Fallout, 2022
"Mustafa Introduces Fatima to Fallout, 2022
"Janine Enjoys the lighting at the Born Again Bisexual Convention", 2024
"Janine Enjoys the lighting at the Born Again Bisexual Convention", 2024
"Janine Comes Home After being Overdressed at a Potluck she Showed Up Late to", 2024
"Janine Comes Home After being Overdressed at a Potluck she Showed Up Late to", 2024
Though I have been practicing working with simple art mediums, making more impactful work always means returning to my roots. More recently, I have been creating drawings of character illustrations based on people from my life, such as my mother, sisters, and cousins. In this project, I make black and white, comic book-like drawings of relatable Arab characters. One of the characters, Mustafah, is a hundred-and-thirty-something-year-old gay Palestinian vampire pulled from a story I am writing called Exposure Therapy. His character is known for sharing stories from historic Palestine with his American-born millennial cousins who are curious about their roots. Mustafah Celebrates his 127th Birthday is a graphite portrait of him belly dancing and photoshopped onto a backdrop of a nightclub. Another endearing graphite portrait from this series is No Habibti, I cannot Judge you, Only God can judge you.  The portrait centers on Fatima, a middle-aged Arab woman, smoking in front of a Ross retail store. I incorporate my influences in this long-term illustration and story-writing project by visually developing character storylines. Exposure Therapy has allowed me to pull directly from familial personas and specific cultural references on a level I appreciate more than ever. With this, my conceptual focus has been on illustrating a relatable Palestinian experience, specifically for first-generation millennials and their displaced elders. I am currently utilizing social media to reach this audience by posting these drawings and providing captions that give a clever glimpse of the character’s perspective.
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